— illuminated book-like sheets. – writing surrounded by images and decoration; or an image surrounded by textual marginalia.
Tag Archives: relativism
I am keen to begin this new phase, here at Studio 14 in the Quarry, where I will do art instead of multiple crafts and services. In spite of money worries, which most of the crafts have not helped anyway.
In between petty concerns (such as attending to three boomerang pets) I’m having all sorts of ideas.
I hope to keep a blog as I go, on the ideas as they unfold. And a blackboard which I photograph as I sketch and jot thoughts down in chalk – real (black) blackboards and real chalk are good! (The solvents in whiteboard markers put me off, even though the whiteboard is seductively smooth.)
Media: probably acrylics on:
– ply/hardboard, possibly cut out and multi-layered for 3d effect?
– conventional canvas stretched on conventional frames? (how strange!:)
– reinforced plaster sheets, carved and painted
– ferrocement garden walls, carved in relief.
As usual with me, the medium complexifies and threatens to engulf the message – but i wont let it this time! A nice balance and dialectic instead…
The art will be non-ironic, romantic, in opposition to the Zeitgeist, naturally. Done outside the walls of the establishment’s opium dens of narcissistic nihilism.
How will the art world react to what I do? It probably won’t. But whatever I do I must keep myself ‘clean’ – the opiates are poison to everything I want to do with art. The decadence and philosophical bankruptcy of the art establishment has (mostly) put me off doing art for 42 or so years; but now at last I think I can do positive art and not be contaminated or tarred with the nihilistic brush, nor be discouraged and give up before I start…
I nearly did give up before I started, yet again, on Saturday, after almost no response to my post on art and then I looked at one or two Youtube clips on the subject ‘What is art’, which REALLY depressed me – I felt that anything and everything I might try to say with art will be viewed through the lense of subjectivism ; nothing will be see as more than self-expression, nothing will be taken to seriously REFER to something the artist believes to be objectively real and worthy of thinking about. All a person sees from within the mental bubble of subjectivism is the finger, whether it is being pointed at the moon above or the mud below.
Then later in the day I saw a new metaphor which is i think truer. I had been seeing the Zeitgeist or spirit of the age, the prevailing paradigm, as a sort of miasma we all have to breathe, and which I would somehow have to fight everywhere at once. But I think it is much more like a drug (the ‘blue pill’) which is pushed in the schools, the playgrounds, in books and plays and films, a drug individuals may or may not swallow (often too young to know its nature of course – hooked before they know any better. We have all been more or less affected by it, so we are all either users or ex-addicts trying to stay clean.
But there is no irresistible miasma, thank God.
So, if I am careful, I can keep myself ‘clean’ wherever I am, and then instead of fighting the whole drug empire, the whole self-perpetuating interlocking system of errors, I can just keep an eye out for addicts who have bottomed out and want a healthier life, and offer them the Antidote, the Red Pill, which dispels the personal miasma, which allows them to be well and see clearly again. Or speak to young people who have not yet been hooked. Or just keep ‘singing outside the city walls’, and let those with ears hear.
The Zeitgeist drug is of course a complex cocktail of philosophy and art, and it is supported by social-financial structures which finance an army of pushers. Fortunately it isn’t the ONLY game in town, not yet! It’s not like the Matrix, where we are all literally jacked into the Machine. There are other drugs, and there is still good food and water (ok, and coffee) to be had.